(CNN) — Despite what people think, The Great White Way isn’t a immeasurable solitude filled with has-been stars, radio talent foe uncover rejects and washed-up celebrities; it’s indeed a pull for high-wattage thespians who wish some fat on that to chew.
It is a renouned faith that vital stars customarily do Broadway shows after they’ve mislaid their dash in Tinsel Town. But shows are featuring major, stream box-office draws. There’s “Harry Potter” star Daniel Radcliffe, who recently played to sold-out audiences in a Broadway reconstruction of “How To Succeed in Business Without Really Trying.” And there’s “Avengers” hottie Scarlett Johansson, who won a Tony Award for her acclaimed entrance in a 2010 reconstruction of ‘”A View From a Bridge.”
More and some-more stars seem to be trade in a Hollywood high life for a big, splendid lights of Broadway, even it’s for a singular time only.
When celebs such as Denzel Washington (‘”Fences’”), Hugh Jackman (‘”The Boy From Oz’”), Kevin Spacey (“The Iceman Cometh”), Julia Roberts (“Three Days of Rain”), Al Pacino (“The Merchant of Venice”), Samuel L. Jackson (“The Mountaintop”), Nicole Kidman (“The Blue Room”) and even Madonna (“Speed a Plow”) uncover adult on a play of Broadway shows for their common brief engagements, it’s noticed as once-in-a-lifetime events.
Gallery: Bradley Cooper and other stars on stage
For good reason, too. While distant museum purists competence bristle during a suspicion of “outsiders” infiltrating their community, Hollywood stars fasten shows customarily means a media frenzy and accelerate box bureau sales.
“I consider everybody wants to be in a good show,” longtime museum attention insider Irene Gandy told CNN. “I mean, these are good playwrights, and we have to have some chops to do this material.”
Gandy, who along with writer partner Jeffrey Richards, oversees dual of this season’s biggest shows: a dictatorial low-pitched “The Gershwins’ Porgy and Bess,” blending by Pulitzer Prize leader Suzan-Lori Parks, and “Gore Vidal’s The Best Man.’”
Outside of a fact that both best-selling productions share a same producers during their particular helms, a shows also underline actors who have turn domicile names from their radio work: Audra McDonald (“Private Practice”) and David Alan Grier (“In Living Color”) have both been nominated for Tony Awards for their roles in a legendary low-pitched about tough vital in 1920s South Carolina. Broadway kingship Angela Lansbury (“Murder She Wrote”), Candice Bergen (“Murphy Brown”), John Larroquette (“Night Court”) and Eric McCormack (“Will Grace”) are attack high outlines with a domestic thriller about a deceit and dirt-digging surrounding a presidential election. James Earl Jones also stars in a play, destined by Michael Wilson.
Throughout a years, Gandy and Richards have also worked on a fibre of shows starring vital TV actors including: Tom Selleck (“Magnum PI”) in “A Thousand Clowns”; Alan Alda (“M*A*S*H*”) in a reconstruction of “Glengarry Glen Ross”; “Saturday Night Live” alum Will Ferrell’s George W. Bush satire “You’re Welcome America”; a reconstruction of “Speed a Plow’” starring Jeremy Piven (“Entourage”); and David Mamet’s ephemeral “Race,” that starred James Spader (“The Practice”), Dennis Haysbert (“The Unit”) and Kerry Washington (“Scandal’”).
So what’s a allure of procuring large name talents and bringing them to a museum world?
“I would contend that we go after names to get people in a seats and assistance a box office,” Gandy said. “Theater has changed, and audiences like to go see people that they’ve never seen live before and that they are informed with.” And audiences can’t feel some-more informed with a luminary than saying them in their homes each week on television.
Take a five-time Tony Award nominated play “Other Desert Cities,” for example.
Most of a expel members are actors eminent for their work in television: Stockard Channing (“The West Wing”), Judith Light (“One Life To Live,” “Who’s The Boss?”), Rachel Griffith (“Six Feet Under,” “Brothers Sisters”) and Stacy Keach (“Mike Hammer”).
Same goes for a erotic multiracial compliance of Tennessee Williams’ dear play “A Streetcar Named Desire,” that boasts Blair Underwood (“LA Law”), Nicole Ari Parker (“Soul Food”) and Wood Harris (“The Wire”) in a cast.
Elsewhere on The Great White Way, renouned stream and former TV stars are portion their talents to hundreds of theatergoers 8 times a week:
Linda Lavin, who starred in a CBS sitcom “Alice” for 9 seasons after slicing her teeth on Broadway, is behind again in “The Lyons,” personification a Jewish mama of a family entrance detached during a seams.
“That’s So Raven” and “The Cosby Show” star Raven-Symone creation her entrance in a Whoopi Goldberg-produced “Sister Act: The Musical,” formed on a strike 1992 movie.
“3rd Rock From a Sun” star John Lithgow stars in “The Columnist,” about a absolute Washington insider with skeletons of his own. “Sex and a City” star Cynthia Nixon recently perceived soap-box reviews and a Tony Award assignment for her stellar work in “Wit,” about a academician undergoing initial diagnosis for cancer.
“High School Musical” star Corbin Bleu holding on a purpose of Jesus in a reconstruction of a 1970s devout philharmonic “Godspell.”
“The story, itself, is such a beautiful, pleasing story … everybody can bond with this show,” Bleu said. “Godspell” is a Brooklyn native’s second army on Broadway. He assimilated “American Idol” leader Jordin Sparks as replacements in a Tony Award winning “In The Heights” in 2010.
“Broadway is a loyal exam of an actor,” Bleu said. “That is a strange form of behaving — theater.”
“That means that there are many film and radio actors who, one, feel that they are over by that or challenged by a fact that there is no yelling of ‘Cut!’ ” he said. “But also it’s really strengthening to be means to mount in front of a whole assembly and get that involuntary feedback and have that living, respirating thing in your hand. It’s a pleasing thing there.”
Jim Parsons, a two-time Emmy Award winning star of CBS’ “The Big Bang Theory,” returned to Broadway this deteriorate with a play “Harvey.” Like Bleu, this is Parsons second go during Broadway, though his is during his strike show’s summer break.
Last year, he played conflicting Ellen Barkin, who nabbed a Tony Award for best featured singer in a play, in a HIV/AIDS play “The Normal Heart.”
“I was so vehement to do museum again,” Parsons told “CBS This Morning.” “For me, it’s zero like it.”
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